contemporary collage paintings
the process
Leslie Avon Miller

My life flows when I'm in my art.


Jean De Muzio
Showing posts with label Gerald Brommer. Show all posts
Showing posts with label Gerald Brommer. Show all posts

Sunday, May 16, 2010

Contemporary Collage Art





I love an art which allows me to document my place in this mix... This is my past and my future. It has its own logic and finally, its own sense of fulfillment.

~Burton Silverman

Yesterday was a banner mail day because my exchange collage from the International Collage Exchange arrived. I got to sit down and look through my new collection, one by one. Each collage is unique and beautifully presented. They came from Germany, New Zealand, The United Kingdom, Belgium, Bulgaria and the USA. I’ll get them all scanned in and share some with you soon.


Collage artists often tend to behave like squirrels or pack rats, gathering all kinds of materials and storing them away for eventual incorporation into their art work.”

~Gerald Brommer

Does that sound like you? It certainly sounds like me!

The collage above is a new one of mine in my on-going experiment with abstracted figurative art, loosely based on my interpretations of tribal art. I have several more in process, awaiting resolution. I find it interesting to push and see just how abstract they can be and still read as a figure.

Sometimes I am asked about collage and techniques. If you are interested in collage I recommend the book Collage Techniques, A Guide for Artists and Illustrators by Gerald Brommer. It was published in 1994, and has fabulous examples from artists I admire including Katherine Chang Liu, Peggy Brown, Fred Otnes, Kurt Schwitters, Edward Betts, Alexander Nepote and many others.

Obviously, the newest techniques for digital collage are not discussed, as they hadn’t been invented yet. The topics Mr. Brommer discusses apply no matter your approach, including materials and techniques, subject matter and design. To learn more about the book go
here.

Artist’s statements intrigue me. They are an important piece of graceful promotion of your art. I have discussed one of my favorite examples at my other blog, Create Your Best Life Coaching.

Have a great week everyone!

Saturday, May 8, 2010

Individual Expression



…there was a long time when I wasn’t completely satisfied with what I was doing…not that I didn’t think each collage was good, but they didn’t have the message…finally, when I felt I had the message, then I thought, okay, now.

~Hannelore Baron

Making art is like a conversation for me. As I work I converse with the piece and the piece converses with me. I hope to communicate my message through the work.

If I am lucky the work tells me what it needs. Once the painting or collage is complete, I hope the conversation continues between the work and the viewer, and on some level between the viewer and the maker.


Sometimes that awareness of the message, the conversation, can distract me from the elements that go into a work of art. The techniques, the design and the craftsmanship remain important, and I must remember that part too.


I’ve been trying to move to another level with my work, one with the message and the craftsmanship equally expressed. I have tried a number of ideas and approaches to my current subject matter. Each experiment has been worth while. I think I have found my direction, although I’m at the beginning of this series.


We make art because we have to! We have no choice but to express ourselves visually. We share our visions, our sensitivities, and our compassion. We share our agony, our wrath and our frustrations. Through our art we lay ourselves out on paper for all the world to see. When we exhibit our work, others can explore and experience our beliefs, our reactions, our biases, our loves and our spiritual beings. It takes special people to share themselves with others in such personal ways, and such people are called artists.

~Gerald. F. Brommer


These two small studies are satisfying to me. I can work from this place. The working title for the series is Story Line. The concept is solid and I know the message, at least at this initial level. More may be revealed to me as I work.





Mr. Brommer goes on to say of course our products have something to do with technique, decoration, craftsmanship, design and subject mater. But these are merely tools that help us create more effective art…help us communicate more articulately. What we express visually is what is within each of us, for that is the foundation and purpose of our art. We express reactions; we help others see more differently or more clearly; we assist in the recognizing of relationships. We explore visual dynamics and report on human events. We decorate surfaces and we express unbounded joy in the very act of creating. We create because it is an essential part of our lives. We cannot help but be artists…Regardless of the media, styles, size or subject matter, good art is determined by the quality and effectiveness of sincere visual expression.