It Takes A Long Time To Look

Prajna by Leslie Avon Miller

To look at a thing is very different from seeing a thing.

One does not see anything until one sees its beauty.

~Oscar Wilde

Mary Nomecos

It takes a long time to look.

~Mary Nomecos

In this video Mary talks about her art, about play, and painting.
I loved the close up views of her work.
You will see fabulous brushstrokes and mark making, which I perceive as beauty.

She says that it takes a long time to look,
and looking is an important part of her art practice.

Perceptive observation is seeing with your brain,

feeling with your eyes,

interpreting with your heart.

~Robert Wade

Nota Bene by Mary Nomecos

Prajna is the Tibetan word for clear seeing,

the innate intelligence we all possess deep inside

that allows us to look at ourselves and others with humility

and compassion, but without judgments of good or bad

attached to those observations.

~Cynthia Grahm

Wide Open by Mary Nomecos

The most satisfying and most basic art experience is looking

– pure, unmediated observation and sensation.

~Roy Thurston

Courage Kindled

On To New Ground

Sometimes my voice may be as a toddler, standing up, falling back on its behind, wobbly, but always pressing on, striving to walk and giggling with joy when it does.

My voice may become rebellious and say NO! Not that. Yes! This! My voice will never give up. It comes to me from the deep well, the river, the source. It is more powerful than I can imagine.

New Rhythm

Sometimes my voice is a tree, standing tall, firmly rooted, limbs reaching for the light. Assuredly "being" without question, knowing it is Tree.

Sometimes my voice may be as a venerable old one, richly lined and weathered, with a knowing wisdom to share. I sit at her feet and listen.

Gray Promises

Sometimes, more often than I would like, my voice may seem silent, as a bear in winter hibernation. I may cast about in the snow, looking and searching, but I only have to wait for the thaw which will come as surely as the spring.

Sometimes my voice will want to run for the joy of running and feeling alive. I run with it, and see where I go.

Courage Kindled

In week five of the Seeking Your Authentic Voice group and I am feeling my energy for creating expand and become more sure. A little braver...and I'm ready to gesso the large panels that wait in the studio. What an adventure it will be!

Continents Forming

These words came to me one early morning this past week. I honored the gift by writing them down, and now I am sharing them with you. After all if my voice gives me words, I need to accept the gift!

Each of these pieces is a small collage on paper, which have come together in the past couple of weeks. Several more are in the works. Fun.



How is your creating going?

Artful Conversations

Breeze At Dawn
Leslie Avon Miller

The artist fills space with an attitude. The attitude never comes from himself alone.
~William de Kooning

One of the things I enjoy about the blogging community is all the conversation that goes on in the comments sections. The topics of Authentic Voice and Language of Intuition have been especially interesting. Here is a sample of the conversation with examples of the artist's work.

Book of Reliquaries

Judy Wikenfeld

If I don't use my authentic voice then nothing happens, no art, no inspiration - blank canvas as it were. ~Judy

Strabo
Robert Kingston

I always noticed an awkward, clumsy mark or move that kept showing up in my work and I felt that if I could just get rid of that my work would be so much better. No matter what I tried though that clunky thing kept popping up again and again! It took me years until it finally dawned on me that that odd goofy thing was actually me! Everything else was just me putting on other people's clothes. Now I try to embrace who and what I am although Its still so easy to forget and to fall into emulating the flavor of the month. ~Robert

Bare Bones
Jo Reimer

One can riff off another's voice, sort of like jazz musicians do. ~Jo

I'll lean on you and you lean on me and we'll be okay.
~Dave Mathews Band

Ralph Bohnenkamp

I am always looking for the authentic voice. ~Ralph

When you do things from your soul,
you feel a river moving in you, a joy. ~Rumi

Beyond Form
Bridgette Guerzon Mills

I experienced that weeping for joy the last time I was in my studio and was working on the last painting I created for 2010. It doesn't happen all the time, but when it does, it is a spiritual moment, I think. It's such an amazing and uplifting feeling. I wish I could carry it with me all the time...well, I try. ~Bridgette

Inner City Found Object Assemblage
Don Pezzano

Without our true voice we are just bumping into things with a paintbrush in our hand. ~Don

Seedpod of the Leopard Tree
Sophie Munns

I will never cease to be amazed at how one can view the work of another and almost feel you want to be there doing that....and yet it can be a long way from what lives in oneself to do. I've found it quite mysterious at times to feel I'm drawn to a certain fields of work quite powerfully and consistently yet that is not what I'm about at the end of the day....I have to stay true to what issues forth from myself even if it doesn't always make sense!
Being authentic no matter what is the stronger pull. ~Sophie

Mansuetude

So often voices sound homogenized, and I can't tell who is speaking and from where--and then when you find authentic sound your heart hears it, knows it! ~Mansuetude

The landscape listens and we hear it call our own name.
~Emily Dickinson

The Language of Intuition

The Sound of Rain
by Leslie Avon Miller

What informs the compositional choices one makes? Whether or not you have a sense of self-discovery before or after the fact of “creation” it is helpful to be more conscious in your personal world of art making.

~ Margot Voorhies Thompson

10 years ago I stepped into a classroom on the wild Oregon coast and spent a week with fellow artists and Margot.

She didn’t instruct so much as she helped us discover what was ours. She asked us questions, stimulated our thought process as artists, and helped us to see.

Margot Voorhies Thompson


I invite you to visit Margot's website

What feelings do your brush marks, scrapings, scratchings, drawing, calligraphy, type and other marks lend to your idea?

~ Margot Voorhies Thompson

Winter

by Leslie Avon Miller

I’ve just spent time looking at some of my work from that workshop, and found my entire art language was present in my work even in its infancy. Soft, subdued palette of cream, sienna, white and black – and a touch of orange. Ink, graphite, collage and paint. Calligraphic marks, drips, finger painting, open space, grids, rectangles, abstracted figures.

What invitation are you extending to the viewer through your work?

~ Margot Voorhies Thompson

My work from that time has always been just within my awareness, but until today when I got it out again, I hadn’t realized how complete my language was even then.

Why am I revisiting that time? For one, I know I had an outstanding learning experience. For another, that was my first art workshop. At this time I am in an archeological mode, looking for the essential, the authentic, the elemental components of my work.

I’m clearing my personal airwaves so I can hear myself. I am clearing, so I can create authentically.

Visuals = the language of intuition.

~ Eileen M. Clegg

The works I have posted here are recent works. My works from the workshop are not imaged.

So, what do you know about your personal visual language of intuition?

Seeking My Authentic Voice

I have a new appreciation for winter, after the holidays and the rush have subsided.

It’s a personal time. It’s easy to slip home after work and live simply. I find time for reflection, time for solitude, and studio time.

I think of my thought process as mental composting in a way. I don’t have to actively reflect, just see what comes up. I have no intention of any thing like a resolution. I am experiencing more “being” now, and eschewing goal setting and time frames. I am experiencing myself a la natural. It’s exciting really. What will come of it?

From this richness of space and time (and plenty of luxurious sleep), I have been working a lot in the studio. I’m going in new directions. Ideas tumble in my mind, one after the other, waiting to be acted upon. I’m having fun!

I’m not ready to share the “new” work yet, but I can tell you I have been playing with inks, bees wax, charcoal and egg shells. Even those ingredients sound a bit like a compost pile!

I have also developed a new coaching group – Seeking Your Creative Voice. This topic is so very dear to my heart.

On January 14th you can participate in a non cost teleclass exploring the topic if you like. You can find out more here. You will also find particulars about the group there.

As this idea was developing I started down a few mental dead ends; all a part of the process I suppose. Not unlike making art, for me anyway. Then this popped up from my compost pile:

When I tap into my authentic voice that’s when the doors open, the work flows and my heart knows, just knows “this is right.” Time melts. It feels good. The struggle is replaced with a sense of work; right work, good work, the work, my work.

Voice isn’t style, voice isn’t principals and elements of design, voice isn’t content, but the language we use to express our authentic voice includes all of these. Authentic voice is something more elementary than this, it’s something closer to primal, closer to the earth, and it is uniquely yours.

The authentic voice isn’t found so much as it is invited, finally recognized and accepted for what it is and celebrated.

We don’t choose it, it claims us. What we choose is to listen and dance to the sound. You may even find yourself weeping for the joy of connection with your own creative voice.

Happy January! What is coming up from your mental compost pile?