Mark Making in the Studio

I had several ideas but the only one that felt exciting was to make marks, so marks I made! I did marks with different tools, different colors and in a different style. No goal in mind, no judgment, just experimentation with marks. I don’t know yet how I will incorporate these marks in my work, but I am excited to continue the experiment. I can’t say for sure why marks call my name so loudly, but they do. So I answer the call. I know I like the suggestion of mystery, the idea of communication and the rhythm my hand enjoys while I am marking. I work quickly and intuitively.




I have been reading about artist Fred Otnes. He is a featured artist in the book Art Revolution, by Lisa L. Cyr. He also has a book of his own, which you can preview here.
In Lisa’s book he is quoted as saying “It’s important to remain curious and try as much as you can, just to see where it can take you. The more you do, the more you learn and the better you become. I have always felt, even now, that I’m on the edge of something new.”

His work is full of small details, layers and is highly textured. You can see more of his work here. His book is on my short list of Art Books I Most Want to Receive in the upcoming holiday season. To me the holiday is best in the afternoon, when things quiet down and I can go off and spend time with my new art book…..





I don't think it's necessary for artists to have any formal training in painting or art history, but I do think it's essential to continually experiment with different subject matter, types of paint and methods of painting. Ron Parker



You will have to experiment and try things out for yourself and you will not be sure of what you are doing. That's all right, you are feeling your way into the thing. Emily Carr

Dictionary of Marks, Scratches and Symbols

Investigation and studio work continue. I am well into a series of exploratory collage, where I am playing with marks. Brush marks, finger marks, lines as marks, found marks, drips, scratches and spatters. I have used a piece of wood, a scrap of mat board, a brush, a bamboo skewer, and of course my fingers to make marks. I think of these collages as a dictionary of my personal marks. I may place these collage in an artist book, like a dictionary, or they may have some other landing place. The point is to freely experiment – a lot.

Marks can be lyrical and suggest a rhythm. I have made marks while listening to the male quail keep his brood informed. Cluck, cluck, cluck. Cluckcluckcluckcluckcluck. I’m going to incorporate those marks into a collage and see what that does. And I am going to keep listening and looking at marks in nature and anywhere else I find myself.

I hope to use these mark making experiments to spring board into working with gesture, which I think of as really big marks, made with the whole arm in conjunction with a brush, not just using my fingers and a tool. Marks occur in a space of course so I am also paying attention to my use of the two dimensional space of the surface. I am finding it helpful to slow down, look at elements one by one, and realize I have all the time in the world to find my way.

If you like mark making here are a few resources. I have recently discovered two blogs of mark makers, Jacob Albablank from Spain and Imbi Star of Australia. Jacob has a Flicker set of marks which also show his lovely studio space. Of course Cy Twombly is a masterful mark maker. A collection of his work can be seen here.

In my exploration I can across this quote, connected with Phillip Guston and John Cage. “When you start working, everybody is in your studio – the past, your friends, your enemies, the art world, and above all your own ideas – all are there. But as you continue painting they start to leave, one by one, and you are left completely alone. Then if you are lucky, even you leave.”