Archive, Leslie Avon Miller
11x14x1.25 on panel
11x14x1.25 on panel
Today is a wonderful day. I'm moving into my new studio! I am more than excited!
And today at the Virtual TART site, I have the pleasure of exhibiting Brown Paper Bags and Rust. My thanks to Dale Copeland who is a tireless advocate for collage and assemblage artists. Not only does she coordinate the International Collage Exchange each year, (a monumental task) she also provides on line exhibition opportunities for collage and assemblage artists.
Following is my statement for this series of work. You will be able to see all of the pieces at the Virtual TART site. This series features papers I have altered in many ways including rusting and painting, as well as mixed media and found objects.
Life is full of common and everyday objects and processes. In my work as an artist, I have been selecting and gathering commonplace artifacts of my generation and the generations that preceded me. This series of Brown Paper Bags and Rust honors the simple objects and processes of living that might go mainly unnoticed, but for me have beauty of texture, graceful form and patina of history.
As a mixed media artist I explore the process of creating and altering materials much as an archeologist or scientist explores remnants of the past or chemical reactions. Beginning with admiration for familiar objects, I slowly built up a collection of papers including brown paper, found vintage autograph book pages, washi papers and vintage packaging. Each paper has been altered, painted, stained, rusted and marked to make it my own. This process takes time, repeated applications and the curiosity of an explorer. There is no map.
The small objects placed in these works include family items such as old piano roll ends, collected items such as common office supplies, and worn out rubber stamps from my town's post office. Egg shells, rusty hinges, bamboo and waxed linen all appeal to me for their simple and familiar utility. Yet, when altered, combined and seen from a new perspective they create patterns and textures that please the eye and document the journey. The metaphor of this process with the process of living does not escape me. Explore, select, collect, alter, be altered, evolve, honor, combine, be beautiful, decay and become herstory.
My attempt has been to honor the pedestrian and the everyday, and to mark their place in the stream of life. I have also honored my own process of exploration, of creating and of marking my place in the same stream.
And today at the Virtual TART site, I have the pleasure of exhibiting Brown Paper Bags and Rust. My thanks to Dale Copeland who is a tireless advocate for collage and assemblage artists. Not only does she coordinate the International Collage Exchange each year, (a monumental task) she also provides on line exhibition opportunities for collage and assemblage artists.
Following is my statement for this series of work. You will be able to see all of the pieces at the Virtual TART site. This series features papers I have altered in many ways including rusting and painting, as well as mixed media and found objects.
Life is full of common and everyday objects and processes. In my work as an artist, I have been selecting and gathering commonplace artifacts of my generation and the generations that preceded me. This series of Brown Paper Bags and Rust honors the simple objects and processes of living that might go mainly unnoticed, but for me have beauty of texture, graceful form and patina of history.
As a mixed media artist I explore the process of creating and altering materials much as an archeologist or scientist explores remnants of the past or chemical reactions. Beginning with admiration for familiar objects, I slowly built up a collection of papers including brown paper, found vintage autograph book pages, washi papers and vintage packaging. Each paper has been altered, painted, stained, rusted and marked to make it my own. This process takes time, repeated applications and the curiosity of an explorer. There is no map.
The small objects placed in these works include family items such as old piano roll ends, collected items such as common office supplies, and worn out rubber stamps from my town's post office. Egg shells, rusty hinges, bamboo and waxed linen all appeal to me for their simple and familiar utility. Yet, when altered, combined and seen from a new perspective they create patterns and textures that please the eye and document the journey. The metaphor of this process with the process of living does not escape me. Explore, select, collect, alter, be altered, evolve, honor, combine, be beautiful, decay and become herstory.
My attempt has been to honor the pedestrian and the everyday, and to mark their place in the stream of life. I have also honored my own process of exploration, of creating and of marking my place in the same stream.
