The Sound of Rain
by Leslie Avon Miller
What informs the compositional choices one makes? Whether or not you have a sense of self-discovery before or after the fact of “creation” it is helpful to be more conscious in your personal world of art making.
~ Margot Voorhies Thompson
10 years ago I stepped into a classroom on the wild Oregon coast and spent a week with fellow artists and Margot.
She didn’t instruct so much as she helped us discover what was ours. She asked us questions, stimulated our thought process as artists, and helped us to see.
Margot Voorhies Thompson
I invite you to visit Margot's website
What feelings do your brush marks, scrapings, scratchings, drawing, calligraphy, type and other marks lend to your idea?
~ Margot Voorhies Thompson
I’ve just spent time looking at some of my work from that workshop, and found my entire art language was present in my work even in its infancy. Soft, subdued palette of cream, sienna, white and black – and a touch of orange. Ink, graphite, collage and paint. Calligraphic marks, drips, finger painting, open space, grids, rectangles, abstracted figures.
What invitation are you extending to the viewer through your work?
~ Margot Voorhies Thompson
My work from that time has always been just within my awareness, but until today when I got it out again, I hadn’t realized how complete my language was even then.
Why am I revisiting that time? For one, I know I had an outstanding learning experience. For another, that was my first art workshop. At this time I am in an archeological mode, looking for the essential, the authentic, the elemental components of my work.
I’m clearing my personal airwaves so I can hear myself. I am clearing, so I can create authentically.
Visuals = the language of intuition.
~ Eileen M. Clegg
The works I have posted here are recent works. My works from the workshop are not imaged.
So, what do you know about your personal visual language of intuition?