Expressive Figurative Art

Empty-handed I entered the world. Barefoot I leave it. My coming, my going -- Two simple happenings that got entangled.
~ Kozan Ichikyo

And between coming and going? Make art!




Continuing with the blog post series featuring figurative art I present here life drawings by Australian artist Noela Mills. Noela’s blog is called wabisabiart. Her blog features creative experimentation and a whole spectrum of her own art from jewelry to collage and from paintings to textile art.




Noela’s life drawings are oh so exquisite, using sensitive line, powerful shape and a splendid color palette. These drawings were part of the International Collage Exchange this year, but unfortunately I didn’t get one of them! Noela has also used life drawings to construct a most intriguing artist book. Oh, how I would love to hold that book and turn the pages! Noela is an innovative artist, who loves textures, color and shapes, so of course I feel we are kindred spirits. Noela tells us about her long time love affair with textures here.




When I was about eight years old, I went on a school camp. I borrowed my mother's bellows camera and took photos of rocks, bark, patterns in the sand, reflections, and only one or two of people. My love affair with texture had begun. Over the next fifty years, I explored all avenues of life and the visual arts, becoming an art teacher, a traveller, a ski instructor, a mother and eventually a professional artist. My art is now almost entirely consumed by the concept of 'wabi sabi' - the Zen Buddhist philosophy of finding beauty in things old, worn, incomplete, imperfect and common place. I work with rust paint on canvas, barbed wire in jewellery, antique kimono silks in scarves and teabags in almost everything. My personal mantra is HONEST, SIMPLE and NOBLE. I still take photos of rocks, bark and reflections.























I am a devoted fan of artist Robyn Gordon. You probably know her blog, Art Propelled. Robyn curates delicious on line art exhibits of all kinds including collage, paintings, textiles and anything else that strikes her keen artistic eye. Opening a new blog post at Art Propelled is like opening a birthday present in beautiful kuba cloth wrapping tied with native grasses and decorated with seed pods. But Robyn is best known for her own wood carvings. Robyn takes figurative art and totems to a whole new level. I am fortunate enough to have one of Robyn’s small goddess carvings. It has a place of honor on my windowsill alter of inspirational Very Cool and Arty Things.










Robyn’s carvings make statements about her love for her native Africa and art and her deep sense of compassion. Robyn’s reply to the question “What story are you telling with your art?” follows.



I suppose I am telling the story of my life in South Africa. The niche carvings hold objects that are of the land (pebbles, bones, cowries, driftwood etc.), symbols of Africa (beadwork, arrowheads, tiny stone carvings), symbols of my British ancestry (silver teaspoons, Minton china shards). The totems "speak" of the legends that have been passed down from one generation to the next. The patterns, objects, symbols are all of this land. No matter what tribe we belong to we who were born in this country belong here and make South Africa what it is.




















I am so thankful for the art blogging world. From my little town in the Pacific Northwest of the US I can experience the art, the creative explorations, musings and processes of artists from around the world. Thank you Noela and Robyn.

What's Your Art Fantasy?

So what's your art fantasy? I'll tell you mine. It's to have a fabulous art gallery. My gallery-in-my-mind is full of great innovative art of all kinds including paintings, mixed media, textiles, sculpture, contemporary basketry and more.

I can see it now - a spacious and well lit space with lofty ceilings. The cohesiveness comes from the quality of the work and the vision. And like all good fantasies, my gallery is about the joy - no problems!



Androgyny by Denise Marts

Ultimately, there is only one meaningful question
concerning the nature of the self and human consciousness
and that question is, "Who am I?"

Sincere self-inquiry is the philosophical pursuit
and an artist that pursues his or her art deeply enough
becomes a philosopher by default."

~ Denise Marts

Venus Sketch by Denise Marts

I'm beginning today with an intermittent series of posts featuring figurative art. A virtual gallery of sorts. I think these artists are phenomenal.

Their work pulls me in to consider their unique visions. And they can be in my fantasy gallery any day.




Blue Nude 2.1 by Denise Marts


What immediately grabs your eye when you walk into an art venue?



Angelica with two old Tanzanian African sculptures by Denise Marts


I love nonobjective, funky or elegant abstract art. It speaks to me and calls my name. My eyes soak it all in - colors, shapes, textures and line. Oh the thrill, the satisfaction of seeing great art!






Three Dancers, from the Stone Sculpture series by Denise Marts

Here for today's opening are two talented and visionary artists, Denise Marts and Linda (who's last name I don't know.)

Please be my guest and help yourself to a glass of wine, have a chocolate and while you listen to the live music playing in the background, mingle with fellow art lovers and feast your eyes.





Family Portraits by Linda. Linda's blog is called entre les mots et l'image or between words and image.






There's something new to see around each corner. Enjoy!






by Linda

I love playing with glue and paper - touch - feel -
discover textures with the tips of my fingers -
I like to have paint stains on my hands and my clothes -
I like the mess on my desk -
I also play with pixels - scan my collages - mix them together
- overlay - observe - the fragment -
I see emergence of other forms - other colors -
I like the mixture of me and chance.

~Linda

Please be sure and sign the guest book, and share your art fantasy. I'm glad you're here. Would you care for another chocolate?

Collage Thoughts on the 12th International Collage Exchange

Collage is the twentieth century's greatest innovation.
~ Robert Motherwell

I love the art of collage. My own process of making collage is always evolving. I’m constantly exploring ways to alter papers, pushing composition, and trying different ideas.

One thing that is fairly constant in my process is to trust my instinct to tell me when the elements are just so.

Of late I have been laying papers on the support, arranging and rearranging, then pondering. Often I decide to remove something from the composition.

When I think I’ve got it I lay a piece of glass on top of the collage which flattens the whole composition so I can step back and take a good long look. Sometimes I just know the work is complete and other times I run a mental check list of elements and principals of design.

For me, the enjoyment is all about the process of creating, exploring, being authentic and striving to continue to grow as an artist.

When I started to attend workshops, I first studied with Pat Dews. I learned a lot! Pat says in her book Creative Composition and Design “As important as it is to understand the elements and principals of design, there is a lot to be said about something just looking and feeling “right.” Uniqueness in personal vision can be more important than technical skill. Nurture and stimulate your imagination. Listen to your intuition and go with your gut feeling.” Good advice.

Another artist who knows the joy of bringing pieces together to make a pleasing whole is Joan Schulze.

Working…

Collect, combine, define, compose,
discard, cover and peel.
Stop,
look, mark, cut,
refine, paste and press.
Focus,
shift, touch, observe,
decide…accept beauty.

~Joan Schulze 1999

with permission of the artist, from The Art of Joan Schulze.

Following are several of the collage I received in the just completed 12th International Collage Exchange, with links when available. Enjoy!





Journey 9, by Donna Watson



New York Times Series #6, by Jeanne E. Rohen



Window Tracing, by Mary Ellen Long



Untitled, by Renea Erickson




Oak #5, by Jeanne Mankinen


Jeanne's statement: This year my collages reflect my concern for the environment - including both animals and plants. I hope that humans will make progress in appreciating and caring for other species on our beautiful planet.




Affirmation 9, by Jette Clover



In Touch 13, by Cordula Kagemann

Contemporary Collage Art

I love an art which allows me to document my place in this mix... This is my past and my future. It has its own logic and finally, its own sense of fulfillment.

~Burton Silverman

Yesterday was a banner mail day because my exchange collage from the International Collage Exchange arrived. I got to sit down and look through my new collection, one by one. Each collage is unique and beautifully presented. They came from Germany, New Zealand, The United Kingdom, Belgium, Bulgaria and the USA. I’ll get them all scanned in and share some with you soon.

Collage artists often tend to behave like squirrels or pack rats, gathering all kinds of materials and storing them away for eventual incorporation into their art work.”

~Gerald Brommer

Does that sound like you? It certainly sounds like me!

The collage above is a new one of mine in my on-going experiment with abstracted figurative art, loosely based on my interpretations of tribal art. I have several more in process, awaiting resolution. I find it interesting to push and see just how abstract they can be and still read as a figure.

Sometimes I am asked about collage and techniques. If you are interested in collage I recommend the book Collage Techniques, A Guide for Artists and Illustrators by Gerald Brommer. It was published in 1994, and has fabulous examples from artists I admire including Katherine Chang Liu, Peggy Brown, Fred Otnes, Kurt Schwitters, Edward Betts, Alexander Nepote and many others.

Obviously, the newest techniques for digital collage are not discussed, as they hadn’t been invented yet. The topics Mr. Brommer discusses apply no matter your approach, including materials and techniques, subject matter and design. To learn more about the book go here.

Artist’s statements intrigue me. They are an important piece of graceful promotion of your art. I have discussed one of my favorite examples at my other blog, Create Your Best Life Coaching.

Have a great week everyone!

Individual Expression

…there was a long time when I wasn’t completely satisfied with what I was doing…not that I didn’t think each collage was good, but they didn’t have the message…finally, when I felt I had the message, then I thought, okay, now.

~Hannelore Baron

Making art is like a conversation for me. As I work I converse with the piece and the piece converses with me. I hope to communicate my message through the work.

If I am lucky the work tells me what it needs. Once the painting or collage is complete, I hope the conversation continues between the work and the viewer, and on some level between the viewer and the maker.


Sometimes that awareness of the message, the conversation, can distract me from the elements that go into a work of art. The techniques, the design and the craftsmanship remain important, and I must remember that part too.


I’ve been trying to move to another level with my work, one with the message and the craftsmanship equally expressed. I have tried a number of ideas and approaches to my current subject matter. Each experiment has been worth while. I think I have found my direction, although I’m at the beginning of this series.

We make art because we have to! We have no choice but to express ourselves visually. We share our visions, our sensitivities, and our compassion. We share our agony, our wrath and our frustrations. Through our art we lay ourselves out on paper for all the world to see. When we exhibit our work, others can explore and experience our beliefs, our reactions, our biases, our loves and our spiritual beings. It takes special people to share themselves with others in such personal ways, and such people are called artists.

~Gerald. F. Brommer


These two small studies are satisfying to me. I can work from this place. The working title for the series is Story Line. The concept is solid and I know the message, at least at this initial level. More may be revealed to me as I work.





Mr. Brommer goes on to say of course our products have something to do with technique, decoration, craftsmanship, design and subject mater. But these are merely tools that help us create more effective art…help us communicate more articulately. What we express visually is what is within each of us, for that is the foundation and purpose of our art. We express reactions; we help others see more differently or more clearly; we assist in the recognizing of relationships. We explore visual dynamics and report on human events. We decorate surfaces and we express unbounded joy in the very act of creating. We create because it is an essential part of our lives. We cannot help but be artists…Regardless of the media, styles, size or subject matter, good art is determined by the quality and effectiveness of sincere visual expression.